Arquitectura · 2020

Estrategias espaciales para el aprendizaje de personas en situación de discapacidad auditiva

The present research work offers from an integrating point of view, for the study between architecture and music. Deepening the relationships between music and the built environments, analyzing how they can influence the musical development of people with hearing disabilities, all this through the spaces destined for creation and, reciprocally, how would the specific characteristics of each place in the different modes and learning styles that can be implemented with this population, highlighting the importance of all the senses in the perception of space, thus eliminating any existing barrier as it is the fact of not having the sense of listening. It will also be addressed, by the hand of a group of speakers who have spoken and reflected on the matter and will be used as a reference to review the history of music, to show the integrating areas of these two arts. In addition, it is evident that musical learning needs a space to achieve its fullness. Architects must transcend in the development of their discipline for their humanistic aptitude and, beyond designing, it is necessary to develop the ability to influence in a different way, thinking simultaneously for each place and specific use, all due to the special conditions of the population served within the project. Bearing in mind that musicians with hearing disabilities require propitious spaces that increase and allow them to be more effective in learning and development, where their limitation is left aside. The concepts put forward by the architect P. Zumthor with their book "Atmosferas" are taken as the main reference, which offered a key parallel as a design structure at the time of intervention and creation of musical spaces that encourage the full development of music or music. musicians and that prompted propitious solutions for them

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